Yvette Kaiser Smith
I am an artist who uses numbers. I create geometric abstractions by utilizing grids and simple geometric shapes as tools in inventing systems for visualizing numerical values of sequences derived from the numbers pi and e. Majority of my past works are wall-based, geometric, crocheted fiberglass constructions. In 2016, I was introduced to a laser cutter and have since focused on developing a body of wall-based works, using laser-cut acrylic sheets separated by vinyl spacers. I spent over 20 years creating large works, fueled by identity narratives, by crocheting fiberglass that was formed by adding polyester resin, a labor-intensive process that engaged my hands at every stage. The laser cut work has almost completely removed my hand or the sense of my hand from the final product. All the 2016, 2017, and 2018 work with acrylic sheet was designed in Photoshop, plotted in Illustrator, was created almost entirely on a laser cutter, and was purely driven by the math.
I am now beginning to explore different ways to directly engage the material with my hand, to make my hand visible in the work, and bring identity dialogues back into the work. What COVID-19 changed is that because the world was put on pause, my spring events cancelled, and the maker space where I use the laser cutter shut doors mid-March with no opening date in sight, I gave myself permission to clean and organize all of my work spaces. I took inventory of the acrylic sheet scraps I have been saving since I started cutting with the laser. I was inspired by people’s ingenuity in making PPE from whatever they have available and wanted to bring this ‘make-do with what you have’ resourcefulness into my studio, using hand tools and materials from previous projects.